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Juan de Juanes

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The Consecration of Saint Eligius

by Juan de Juanes, circa 1536

Medium
Tempera and oil on panel transferred to canvas
Dimensions
58.6 x 37.8 in
Credits
University of Arizona Museum of Art, Tucson, Arizona, Gift of Samuel H. Kress Foundation, 1961.013.019
Location
University of Arizona Museum of Art

16th century

Enthroned Virgin and Child, with Saint Jerome, the Archangel Michael, and Angels Holding Instruments of the Passion

by Juan de Juanes, circa 1550

Medium
Oil and tooled gold on panel
Dimensions
48 3/4 x 35 1/4 in (123.8 x 89.5 cm)
Credits
John G. Johnson Collection, 1917
Location
Philadelphia Museum of Art

16th century

Christ Carrying the Cross

by Juan de Juanes, circa 1560

Medium
Pen and brown ink and brown wash over black chalk; the upper left and right corners trimmed diagonally and made up
Dimensions
21 × 34.8 cm (8 1/4 × 13 11/16 in.)
Notes

Juan de Juanes actively worked out his ideas in this drawing, first in black chalk lines, which are faintly visible under the bolder pen-and-ink forms. In the earlier chalk rendition, he drew the figure of Christ farther to the left, carrying the cross with his right arm. The soldier to the right, leading him by the rope about his neck, was also father to the left, while two additional soldiers, faintly drawn in the top right, were not developed in pen. The Holy Women kneeling before him also changed when Juanes finished the drawing in pen after making the chalk underdrawing. He used the brown ink to model the forms in three dimensions with extensive, insistent hatching and cross-hatching. The artist's technique and the spatial clarity of the individual figures reflect the influence of Raphael, whose paintings he studied on a visit to Italy around 1560.

Location
J. Paul Getty Museum

16th century