Artists
Artists 1 to 30 of 91:
Alcora Ceramic Factory
Plaque depicting Jacob choosing Rachel to be his Bride
by Alcora Ceramic Factory, circa 1755
- Medium
- Faïence (tin-glazed earthenware)
- Dimensions
- Object (height x width): 94 × 47.6 cm (37 × 18 3/4 in)
- Notes
- Clad in complementary yellow and blue, a young man and woman coyly eye each other, their hands meeting at the very center of the scene. Lively, overflowing foliage serves as a dramatic and fitting backdrop to this courtship. At the base of the plaque, an inscription in Latin that identifies the pair translates as: Behold the very beautiful Rachel with her sheep, whom Jacob chooses as his wife. After painting by Jacopo Amigoni (Italian, 1682-1752). Despite the inscription, the scene also includes several details from the biblical account of Rebecca and Eliezer at the well. The jar balanced on the well, the flamingolike camels in the background, and the jewel-laden chest in the foreground are elements of this story. The plaque is based on a mid-seventeenth century image of Rebecca and Eliezer by Jacopo Amigoni, whose paintings and engravings often served as a model for the decoration of plaques and tapestries. It is likely that the painter of the plaque had a print of Amigoni's work in hand but transformed it into the more amorous Jacob and Rachel subject, probably for a specific patron.
- Location
- J. Paul Getty Museum
Alguacil, Casiano
Detalles de San Juan de los Reyes, Toledo
by Casiano Alguacil, 1875
- Medium
- Albumen silver print
- Dimensions
- Image: 19.4 × 40.5 cm (7 5/8 × 15 15/16 in); mount: 44.1 × 34.9 cm (17 3/8 × 13 3/4 in)
- Notes
- Three religious statues resting on niches on a pillar.
- Location
- J. Paul Getty Museum
Amedor
Nuns at Mass
by Amedor, 1900
- Medium
- Gelatin silver print
- Dimensions
- Image: 16.4 × 22.7 cm (6 7/16 × 8 15/16 in)
- Notes
- The inside of a cathedral during mass. Nuns sit in rows wearing white cornette hats, facing towards the altar where priests and bishops kneel on the ground. Lit candles cover the altar.
- Location
- J. Paul Getty Museum
Anguissola, Sofonisba
Portrait of a Spanish Prince (probably Philip II)
by Sofonisba Anguissola, circa 1573
- Medium
- Oil
- Dimensions
- 23 1/4 in x 19 in (59.06 cm x 48.26 cm)
- Location
- San Diego Museum of Art
Anonymous / Unknown
Abacus of Capital from the Abbey of Santa María de Lebanza
by Anonymous / Unknown, circa 1185
- Medium
- Limestone and mortar with red paint
- Dimensions
- 64 x 64 x 50.5 cm
- Credits
- Harvard Art Museums/Fogg Museum, Friends of the Fogg Art Museum Fund
- Location
- Harvard Art Museums
Bowl
- Medium
- Earthenware with tin glaze; copper, cobalt, and iron in-glaze decoration
- Dimensions
- Height: 5 1/2 in (14 cm); diameter: 9 1/2 in (24.1 cm)
- Credits
- San Antonio Museum of Art, Gift of Dr. Ric Bradford, Houston, Texas, 2012.34. Image courtesy of the San Antonio Museum of Art; photo by Peggy Tenison
- Location
- San Antonio Museum of Art
Butcher's Shop Sign
by Anonymous / Unknown, circa 1910–1920
- Medium
- Iron with cloth-wrapped wire
- Dimensions
- Height: 34 in (86.4 cm); width: 121 in (307.3 cm); depth: 18 in (45.7 cm)
- Credits
- San Antonio Museum of Art, Gift of Peter P. Cecere, 2014.17. Image courtesy of the San Antonio Museum of Art; photo by Benjamin McVey
- Location
- San Antonio Museum of Art
Camel
by Anonymous / Unknown, circa 1129–1134
- Medium
- Fresco transferred to canvas
- Dimensions
- Overall: 97 x 53 1/2 in (246.4 x 135.9 cm)
- Credits
- The Cloisters Collection, 1961.
- Notes
- First half 12th century (possibly 1129–34)
- Location
- The Metropolitan Museum of Art (The Met)
Column or Columnar Support with Three Apostles: Matthew, Jude, and Simon
by Anonymous / Unknown, circa 1125–1150
- Medium
- Marble
- Dimensions
- 116.3 x 27.5 cm (45 13/16 x 10 13/16 in)
- Credits
- Harvard Art Museums/Fogg Museum, Gift of The Republic of Spain through the Museo Arqueologico Nacional and Professor Arthur Kingsley Porter
- Location
- Harvard Art Museums
Lusterware platter
- Medium
- Glazed earthenware
- Dimensions
- Height: 2 1/4 in (5.7 cm); diameter: 19 in (48.3 cm)
- Credits
- San Antonio Museum of Art, Gift of Mrs. Brooke F. Dudley and Mrs. Charles Best, 99.33. Image courtesy of the San Antonio Museum of Art; photo by Joel Salcido
- Location
- San Antonio Museum of Art
Oil Jar
by Anonymous / Unknown, circa 1900
- Medium
- Earthenware with glaze
- Dimensions
- Height: 13 in (33 cm); diameter: 9 in (22.9 cm)
- Credits
- San Antonio Museum of Art, Gift of Peter P. Cecere, 2006.1.55. Image courtesy of the San Antonio Museum of Art; photo by Peggy Tenison
- Location
- San Antonio Museum of Art
Oil Jar
by Anonymous / Unknown, circa 1900
- Medium
- Earthenware, slip, and metal
- Dimensions
- Height: 14 1/2 in (36.8 cm); width: 9 1/4 in (23.5 cm); depth: 9 1/2 in. (24.1 cm)
- Credits
- San Antonio Museum of Art, Gift of Peter P. Cecere, 2006.1.54. Image courtesy of the San Antonio Museum of Art; photo by Peggy Tenison
- Location
- San Antonio Museum of Art
Our Lady of Guadalupe
- Medium
- Oil on copper
- Dimensions
- Unframed: 14 x 11 in (35.6 x 27.9 cm); with frame: 23 1/2 × 20 1/2 × 3 1/2 in (59.7 × 52.1 × 8.9 cm)
- Credits
- San Antonio Museum of Art, Purchased with funds provided by Ford Motor Co., 2000.40. Image courtesy of the San Antonio Museum of Art; photo by Ansen Seale
- Location
- San Antonio Museum of Art
Our Lady of Guadalupe
- Medium
- Polychromed wood
- Dimensions
- Height: 41 1/2 in (105.4 cm); width: 21 1/2 in (54.6 cm); depth: 6 1/2 in. (16.5 cm)
- Credits
- San Antonio Museum of Art, Gift of Roberta S. McCrary, 85.32.a-e. Image courtesy of the San Antonio Museum of Art; photo by Ansen Seale
- Location
- San Antonio Museum of Art
Our Lady of the Pillar
- Medium
- Oil on canvas
- Dimensions
- Unframed: 42 x 31 3/4 in (106.7 x 80.6 cm); framed: 51 x 41 1/2 in (129.5 x 105.4 cm)
- Credits
- San Antonio Museum of Art, Purchased with funds provided by the Ford Motor Company, 2000.19. Image courtesy of the San Antonio Museum of Art; photo by Ansen Seale
- Location
- San Antonio Museum of Art
Platter
- Medium
- Earthenware with tin glaze
- Dimensions
- Height: 3 1/8 in (7.9 cm); diameter: 15 in (38.1 cm)
- Credits
- San Antonio Museum of Art, Gift of the Estate of Ellen M. Slayden, 26.1328. Image courtesy of the San Antonio Museum of Art; photo by Joel Salcido
- Location
- San Antonio Museum of Art
Portrait of a Woman
by Anonymous / Unknown, circa 1800
- Medium
- Oil on canvas
- Dimensions
- 14 15/16 x 11 1/8 in (38 x 28.2 cm)
- Credits
- Acquired by Henry Walters with the Massarenti Collection, 1902
- Location
- Walters Art Museum
Pyxis
by Anonymous / Unknown, circa 950–975
- Medium
- Elephant ivory
- Dimensions
- Overall: 4 5/8 x 4 1/8 in (11.7 x 10.5 cm)
- Credits
- The Cloisters Collection, 1970.
- Location
- The Metropolitan Museum of Art (The Met)
Saint John the Baptist
by Anonymous / Unknown, circa 1740
- Medium
- Charcoal, heightened with opaque white watercolor
- Dimensions
- 43 × 26.9 cm (16 15/16 × 10 9/16 in)
- Credits
- Purchased with funds provided by the Disegno Group.
- Notes
- After Juan Conchillos Falcó (Spanish, 1641-1711). On striking blue prepared paper, this academic figure study is posed as Saint John the Baptist. Seen from below, suggesting that the model stood on a raised platform, the saint looms large. The artist modeled his figure using the blue as a middle tone. Charcoal and white watercolor forcefully articulate the anatomical form of the saint, and convey his powerful presence. The saint's musculature is dramatically portrayed in gritty black lines built up in bold succession. The summary treatment of the drapery, executed in broad, jagged strokes, gives the saint's clothing an abstract quality that reiterates the drawing's primary purpose as a study of the male body. On close examination, the charcoal's rough texture reflects glints of light, creating a seamless marriage between medium, technique, and subject.
- Location
- J. Paul Getty Museum
Trunk
- Medium
- Chip carved wood and iron
- Dimensions
- Height: 24 1/2 in (62.2 cm); width: 64 in (162.6 cm); depth: 19 in (48.3 cm)
- Credits
- San Antonio Museum of Art, Gift of Peter P. Cecere, 2006.1.98. Image courtesy of the San Antonio Museum of Art; photo by Alayna Barrett Fox
- Location
- San Antonio Museum of Art
Vidal Mayor
by Anonymous / Unknown, circa 1290–1310
- Medium
- Tempera colors, gold leaf, and ink
- Dimensions
- Leaf: 36.5 × 24 cm (14 3/8 × 9 7/16 in)
- Notes
- By unknown artist/maker, Vidal de Canellas (Spanish, active Aragon, Spain 1236-1252), and probably Michael Lupi de Çandiu (Spanish, active Pamplona, Spain 1297-1305). In 1247, with the reconquest of Spain from the Muslim forces virtually complete, King James I of Aragon and Catalonia, Spain, decided to establish a new systematic code of law for his kingdom. He entrusted the task to Vidal de Canellas, bishop of Huesca. The Getty Museum's manuscript, the only known copy of the law code still in existence, is a translation of Vidal de Canellas's Latin text into the vernacular Navarro-Aragonese language (in that language, the book is called Vidal Mayor in reference to the author). The manuscript's scribe was Michael Lupi de Çandiu, who identifies himself in an inscription and who also may have translated the text. Not only is the text an important historical document but it is luxuriously illuminated with hundreds of historiated and decorated initials. Although written and illuminated between 1290 and 1310 in one of the major urban centers in northeastern Spain, the elegant style of the painting reveals an intimate link with contemporary French illumination. This stylistic connection demonstrates the increased movement of both artists and manuscripts from one European court to another.
- Location
- J. Paul Getty Museum
Bayeu y Subias, Francisco
The Virgin Annunciate (recto); Sketch of a Figure (verso)
by Francisco Bayeu y Subias, circa 1769
- Medium
- Black chalk with touches of white (recto); black chalk (verso)
- Dimensions
- 47 × 31.5 cm (18 1/2 × 12 3/8 in)
- Location
- J. Paul Getty Museum
Beauchy, Emilio
Court of the Maidens, Alcazar, Seville, (Patio de las Doncellas, Alcazar, Sevilla)
by Emilio Beauchy, 1870
- Medium
- Albumen silver print
- Dimensions
- Image: 24 × 29.5 cm (9 7/16 × 11 5/8 in)
- Location
- J. Paul Getty Museum
Bermejo, Bartolomé
The Arrest of Santa Engracia
by Bartolomé Bermejo, circa 1474–1477
- Medium
- Oil
- Dimensions
- 38 1/4 in x 21 3/16 in (97.16 cm x 53.82 cm)
- Location
- San Diego Museum of Art
Bernat, Martín
The Crucifixion
by Martín Bernat, circa 1480–1490
- Medium
- Oil
- Dimensions
- 58 in x 37 3/8 in (147.32 cm x 94.93 cm)
- Location
- San Diego Museum of Art
Blanchard, María
Seated Woman (Femme assise)
by María Blanchard, circa 1917
- Medium
- Oil on canvas
- Dimensions
- 43 3/4 x 30 1/4 in (111.1 x 76.8 cm)
- Credits
- Meadows Museum, SMU, Dallas. Museum purchase with funds from The Meadows Foundation, MM.08.02. Photography by Michael Bodycomb.
- Location
- Meadows Museum
Borrassà, Lluís
Saint John the Baptist and Saint Barbara
by Lluís Borrassà, circa 1411–1413
- Medium
- Tempera on panel
- Dimensions
- 87.4 x 89.8 x 8.2 cm
- Credits
- Harvard Art Museums/Fogg Museum, Alpheus Hyatt Purchasing Fund
- Location
- Harvard Art Museums
Camino
Danza de Gitanos
by Camino, 1850–1888
- Medium
- Albumen silver print
- Dimensions
- Image: 20.5 × 26.2 cm (8 1/16 × 10 5/16 in); mount: 25.4 × 31.5 cm (10 × 12 3/8 in)
- Notes
- A man playing guitar in a circle with a group of women who are dancing or playing tambourines. The group is next to a large wooden cross at the base of a mountain.
- Location
- J. Paul Getty Museum
Canes, Francisco
Christian Gospels in Arabic for Sundays and Feast Day
by Francisco Canes, 1758
- Medium
- Hand painted manuscript
- Dimensions
- 10 1/2 x 7 3/4 in. (26.7 x 19.7 cm)
- Location
- Harn Museum of Art
Cano, Alonso
Christ and Two Followers on the Road to Emmaus
by Alonso Cano, circa 1630
- Medium
- Oil on canvas
- Dimensions
- 20 1/4 x 26 1/4 in (51.5 x 66.7 cm)
- Credits
- Gift of Leonard and Barbara Scherlis, 2003
- Notes
- Possibly by Alonso Cano
- Location
- Walters Art Museum
Christ in Limbo
by Alonso Cano, circa 1655
- Medium
- Oil on canvas
- Dimensions
- 66 × 47 1/2 in. (167.64 × 120.65 cm)
- Location
- LACMA
Christ the Redeemer
by Alonso Cano, circa 1645–1650
- Medium
- Oil
- Dimensions
- 37 1/2 in x 17 3/8 in (95.25 cm x 44.13 cm)
- Location
- San Diego Museum of Art
Carducho, Vicente
St. Jerome Hearing the Trumpet of the Last Judgment
by Vicente Carducho, circa 1626–1632
- Medium
- Black chalk with brown wash, heightened with white gouache, squared in black chalk
- Dimensions
- 31.8 × 21.6 cm (12 1/2 × 8 1/2 in)
- Notes
- With a long beard and curling locks, a slightly disheveled Saint Jerome listens open-mouthed in astonishment as an angel overhead sounds its trumpet. Vicente Carducho drew Jerome interrupted in the act of writing, with his faithful friend and attribute the lion by his side. Artists often showed Jerome writing, undoubtedly a common activity for the learned saint who translated the Bible into Latin. Jerome commonly appeared nearly nude, giving artists the opportunity to display his gaunt, ascetic figure. Carducho suggested the saint's lean, muscular body with brown wash and white gouache, using while radiating strokes of black chalk to describe the drapery, which nearly merges with the rocks. The artist reworked the saint's right leg several times, positioning it first forward and then further back until it rested underneath his left knee. The black chalk squaring on this drawing implies that Carducho intended this drawing as a preparatory study for a large painting, although scholars have not identified such a work.
- Location
- J. Paul Getty Museum
Carreño de Miranda, Juan
The Visitation
by Juan Carreño de Miranda, circa 1655–1660
- Medium
- Pen and brown ink and gray-brown wash, heightened with white gouache, over touches of black chalk (recto); black chalk (verso)
- Dimensions
- 24.8 × 23.7 cm (9 3/4 × 9 5/16 in)
- Notes
- Two cousins share in a moment of mutual happiness in this scene of rejoicing. The Virgin Mary rushes up the steps to congratulate her elderly cousin Saint Elizabeth, placing her left hand on Elizabeth's shoulder and clasping the other. Both women celebrate their respective pregnancies, the Virgin with the infant Jesus and Elizabeth with John the Baptist. Elizabeth had particular cause for celebration as she had conceived in old age, after a lifetime of barrenness. Juan Carreño de Miranda conveyed the scene thorough energetic motion and nervous handling of the pen. Vigorous strokes describe the flowing outline of the Virgin's cloak, while summary passages of wash in gray-brown define Elizabeth's head and back. Amid the swirling mass of lines on the left several indistinct heads are visible. Another mother crouches at the foot of the steps, holding a baby in her arms.
- Location
- J. Paul Getty Museum
Castillo y Saavedra, Antonio del
Dead Christ with Lamenting Angels
by Antonio del Castillo y Saavedra, 1650
- Medium
- Oil on copper
- Dimensions
- 15 × 12 1/2 in (38.1 × 31.75 cm)
- Location
- LACMA
St. Jerome Hearing the Trumpet of the Last Judgment
by Antonio del Castillo y Saavedra, circa 1645–1650
- Medium
- Reed pen and brown ink, heightened with white gouache
- Dimensions
- 29.4 × 19.8 cm (11 9/16 × 7 13/16 in)
- Notes
- Living in the wilderness as a hermit, Saint Jerome heard trumpets sounding the Last Judgment; looking up, he saw the cross with Christ's body rising in front of him. Here the trumpet appears so tantalizingly close that Jerome reaches up to try to touch it. His attributes, a lion and a book, surround him. Antonio del Castillo y Saavedra built the dynamic composition from lively, quick strokes. Hatching and cross-hatching emphasize the rippling muscles on the saint's arms and back and elaborate the folds of fabric around his waist. They suggest the undergrowth on the left and the lion's fur.
- Location
- J. Paul Getty Museum
Chillida, Eduardo
Place I
by Eduardo Chillida, 1968
- Medium
- Steel
- Dimensions
- 22 1/2 x 18 1/4 x 39 1/2 in. (57.15 x 46.36 x 100.33 cm)
- Location
- Bechtler Museum of Modern Art
Dalí, Salvador
Archeological Reminiscence of Millet's Angelus
by Salvador Dalí, 1934
- Medium
- Oil on wood panel
- Dimensions
- 12 1/2 in x 15 1/2 in
- Location
- Dalí Museum
Asher, from the Twelve Tribes of Israel series
by Salvador Dalí, 1973
- Medium
- Etching with color pochoir on Arches paper
- Dimensions
- Image: 19-1/2 x 14-1/2 inches; sheet: 25-1/2 x 19-1/2 inches
- Credits
- Gift of Dr. Roger and Karen Michalsen. © Jordan Schnitzer Museum of Art – University of Oregon
- Notes
- Edition 59/195
- Location
- Jordan Schnitzer Museum of Art
Benjamin, from the Twelve Tribes of Israel series
by Salvador Dalí, 1973
- Medium
- Etching with color pochoir on Arches paper
- Dimensions
- Image: 19-1/2 x 14-1/2 inches; sheet: 25-1/2 x 19-1/2 inches
- Credits
- Gift of Dr. Roger and Karen Michalsen. © Jordan Schnitzer Museum of Art – University of Oregon
- Notes
- Edition 59/195
- Location
- Jordan Schnitzer Museum of Art
Daddy Longlegs of the Evening-Hope!
by Salvador Dalí, 1940
- Medium
- Oil on canvas
- Dimensions
- 16 in x 20 in
- Location
- Dalí Museum
Dan, from the Twelve Tribes of Israel series
by Salvador Dalí, 1973
- Medium
- Etching with color pochoir on Arches paper
- Dimensions
- Image: 19-1/2 x 14-1/2 inches; sheet: 25-1/2 x 19-1/2 inches
- Credits
- Gift of Dr. Roger and Karen Michalsen. © Jordan Schnitzer Museum of Art – University of Oregon
- Notes
- Edition 59/195
- Location
- Jordan Schnitzer Museum of Art
Don Quixote
by Salvador Dalí, 1964
- Medium
- Etching
- Dimensions
- Image: 15 3/8 x 11 5/8 in (39.0525 x 29.5275 cm); Sheet: 22 x 14 7/8 in (55.88 x 37.7825 cm)
- Location
- Allentown Art Museum
Female Nude (alternate title: Beigneuse [sic])
by Salvador Dalí, 1928
- Medium
- Oil and sand on wood panel
- Dimensions
- 25 in x 29 1/2 in
- Location
- Dalí Museum
Femme Couchée
by Salvador Dalí, 1926
- Medium
- Oil on wood panel
- Dimensions
- 10 3/4 in x 16 in
- Location
- Dalí Museum
Frontispiece, from the Twelve Tribes of Israel series
by Salvador Dalí, 1973
- Medium
- Etching with color pochoir on Arches paper
- Dimensions
- Image: 19-1/2 x 14-1/2 inches; sheet: 25-1/2 x 19-1/2 inches
- Credits
- Gift of Dr. Roger and Karen Michalsen. © Jordan Schnitzer Museum of Art – University of Oregon
- Notes
- Edition 59/195
- Location
- Jordan Schnitzer Museum of Art
Gad, from the Twelve Tribes of Israel series
by Salvador Dalí, 1973
- Medium
- Etching with color pochoir on Arches paper
- Dimensions
- Image: 14-1/2 x 19-1/2 inches; sheet: 19-1/2 x 25-1/2 inches
- Credits
- Gift of Dr. Roger and Karen Michalsen. © Jordan Schnitzer Museum of Art – University of Oregon
- Notes
- Edition 59/195
- Location
- Jordan Schnitzer Museum of Art
Golden Chalice
by Salvador Dalí, 1976
- Medium
- Colored lithograph
- Dimensions
- Image: 22 in x 30 in
- Location
- NSU Art Museum Fort Lauderdale
Issachar, from the Twelve Tribes of Israel series
by Salvador Dalí, 1973
- Medium
- Etching with color pochoir on Arches paper
- Dimensions
- Image: 19-1/2 x 14-1/2 inches; sheet: 25-1/2 x 19-1/2 inches
- Credits
- Gift of Dr. Roger and Karen Michalsen. © Jordan Schnitzer Museum of Art – University of Oregon
- Notes
- Edition 59/195
- Location
- Jordan Schnitzer Museum of Art
Joseph, from the Twelve Tribes of Israel series
by Salvador Dalí, 1973
- Medium
- Etching with color pochoir on Arches paper
- Dimensions
- Image: 19-1/2 x 14-1/2 inches; sheet: 25-1/2 x 19-1/2 inches
- Credits
- Gift of Dr. Roger and Karen Michalsen. © Jordan Schnitzer Museum of Art – University of Oregon
- Notes
- Edition 59/195
- Location
- Jordan Schnitzer Museum of Art
Judah, from the Twelve Tribes of Israel series
by Salvador Dalí, 1973
- Medium
- Etching with color pochoir on Arches paper
- Dimensions
- Image: 14-1/2 x 19-1/2 inches; sheet: 19-1/2 x 25-1/2 inches
- Credits
- Gift of Dr. Roger and Karen Michalsen. © Jordan Schnitzer Museum of Art – University of Oregon
- Notes
- Edition 59/195
- Location
- Jordan Schnitzer Museum of Art
La Vache Sacrée (The Sacred Cow)
by Salvador Dalí, 1969
- Medium
- Drypoint on Japon paper
- Dimensions
- 26 x 20 inches
- Credits
- Gift of Barry Raber. © Jordan Schnitzer Museum of Art — University of Oregon
- Notes
- Edition 31/100
- Location
- Jordan Schnitzer Museum of Art
Les Diners de Galla
by Salvador Dalí, 1977
- Medium
- Lithograph (25/395)
- Dimensions
- Image: 22 in x 29 1/2 in
- Location
- NSU Art Museum Fort Lauderdale
Levi, from the Twelve Tribes of Israel series
by Salvador Dalí, 1973
- Medium
- Etching with color pochoir on Arches paper
- Dimensions
- Image: 19-1/2 x 14-1/2 inches; sheet: 25-1/2 x 19-1/2 inches
- Credits
- Gift of Dr. Roger and Karen Michalsen. © Jordan Schnitzer Museum of Art – University of Oregon
- Notes
- Edition 59/195
- Location
- Jordan Schnitzer Museum of Art
Man with Clock Face
by Salvador Dalí, 1974
- Medium
- Lithograph
- Dimensions
- Image: 22 in x 30 in
- Location
- NSU Art Museum Fort Lauderdale
Napheli, from the Twelve Tribes of Israel series
by Salvador Dalí, 1973
- Medium
- Etching with color pochoir on Arches paper
- Dimensions
- Image: 19-1/2 x 14-1/2 inches; sheet: 25-1/2 x 19-1/2 inches
- Credits
- Gift of Dr. Roger and Karen Michalsen. © Jordan Schnitzer Museum of Art – University of Oregon
- Notes
- Edition 59/195
- Location
- Jordan Schnitzer Museum of Art
Oeufs sur le plat sans le plat
by Salvador Dalí, 1932
- Medium
- Oil on canvas
- Dimensions
- 23 3/4 in 16 1/2 in
- Location
- Dalí Museum
Playing Card
by Salvador Dalí, 1967
- Medium
- Felt-tip pen and pencil on paper
- Dimensions
- Image: 14 x 9 1/4 in (35.56 x 23.495 cm); Sheet: 19 1/2 x 12 1/8 in (49.53 x 30.7975 cm)
- Location
- Allentown Art Museum
Reuven, from the Twelve Tribes of Israel series
by Salvador Dalí, 1973
- Medium
- Etching with color pochoir on Arches paper
- Dimensions
- Image: 19-1/2 x 14-1/2 inches; sheet: 25-1/2 x 19-1/2 inches
- Credits
- Gift of Dr. Roger and Karen Michalsen. © Jordan Schnitzer Museum of Art – University of Oregon
- Notes
- Edition 59/195
- Location
- Jordan Schnitzer Museum of Art
Simeon, from the Twelve Tribes of Israel series
by Salvador Dalí, 1973
- Medium
- Etching with color pochoir on Arches paper
- Dimensions
- Image: 19-1/2 x 14-1/2 inches; sheet: 25-1/2 x 19-1/2 inches
- Credits
- Gift of Dr. Roger and Karen Michalsen. © Jordan Schnitzer Museum of Art – University of Oregon
- Notes
- Edition 59/195
- Location
- Jordan Schnitzer Museum of Art
Slave Market with the Disappearing Bust of Voltaire
by Salvador Dalí, 1940
- Medium
- Oil on canvas
- Dimensions
- 18 1/4 in x 25 3/4 in
- Location
- Dalí Museum
The Average Bureaucrat
by Salvador Dalí, 1930
- Medium
- Oil on canvas
- Dimensions
- 31 7/8 in x 25 3/4 in
- Location
- Dalí Museum
The Basket of Bread
by Salvador Dalí, 1926
- Medium
- Oil on wood panel
- Dimensions
- 12 1/2 in x 12 1/2 in
- Location
- Dalí Museum
The Clock of Time
by Salvador Dalí, 1976
- Medium
- Colored lithograph
- Dimensions
- Image/sheet: 29 1/2 x 21 1/4 in
- Location
- NSU Art Museum Fort Lauderdale
The First Days of Spring
by Salvador Dalí, 1928
- Medium
- Oil and collage on wood panel
- Dimensions
- 19 3/4 in x 25 5/8 in
- Location
- Dalí Museum
The God of the Bay of Roses
by Salvador Dalí, 1944
- Medium
- Oil on canvas
- Dimensions
- Unframed: 22 1/8 x 30 3/26 in (56.2 x 76.68 cm); framed: 33 3/4 x 43 in (85.73 x 109.22 cm)
- Credits
- © Virginia Museum of Fine Arts. Photo by Travis Fullerton
- Location
- Virginia Museum of Fine Arts
The Hallucinogenic Toreador
by Salvador Dalí, circa 1969–1970
- Medium
- Oil on canvas
- Dimensions
- 157 in x 118 in
- Location
- Dalí Museum
The Quest
by Salvador Dalí, 1981
- Medium
- Color lithograph
- Dimensions
- 16 x 17-3/4 inches
- Credits
- Richard M. Siebold. © Jordan Schnitzer Museum of Art – University of Oregon
- Location
- Jordan Schnitzer Museum of Art
The Weaning of Furniture-Nutrition
by Salvador Dalí, 1934
- Medium
- Oil on wood panel
- Dimensions
- 7 in x 9 1/2 in
- Location
- Dalí Museum
Zebulun, from the Twelve Tribes of Israel series
by Salvador Dalí, 1973
- Medium
- Etching with color pochoir on Arches paper
- Dimensions
- Image: 19-1/2 x 14-1/2 inches; sheet: 25-1/2 x 19-1/2 inches
- Credits
- Gift of Dr. Roger and Karen Michalsen. © Jordan Schnitzer Museum of Art – University of Oregon
- Notes
- Edition 59/195
- Location
- Jordan Schnitzer Museum of Art
de Borgoña, Juan
The Investiture of Saint Ildefonsus
by Juan de Borgoña, circa 1508–1514
- Medium
- Tempera and oil on wood
- Dimensions
- 98 1/4 x 81 3/4 in (249.6 x 207.6 cm)
- Credits
- Meadows Museum, SMU, Dallas. Algur H. Meadows Collection, MM.69.03. Photography by Michael Bodycomb.
- Location
- Meadows Museum
de Castro, Bartolomé
Pope Honorius III Approving the Rule of Saint Francis of Assisi
by Bartolomé de Castro, circa 1500
- Medium
- Tempera and tooled gold on panel
- Dimensions
- 48 5/16 x 33 5/8 in (122.7 x 85.4 cm)
- Credits
- John G. Johnson Collection, 1917
- Location
- Philadelphia Museum of Art
de Grañén, Blasco
The Crucifixion
by Blasco de Grañén, 1440–1445
- Medium
- Tempera on panel
- Dimensions
- Overall: 55 3/4 x 39 3/8 in (141.61 x 100.01 cm)
- Credits
- © Virginia Museum of Fine Arts. Photo by Travis Fullerton
- Location
- Virginia Museum of Fine Arts
de Juanes, Juan
Christ Carrying the Cross
by Juan de Juanes, circa 1560
- Medium
- Pen and brown ink and brown wash over black chalk; the upper left and right corners trimmed diagonally and made up
- Dimensions
- 21 × 34.8 cm (8 1/4 × 13 11/16 in.)
- Notes
- Juan de Juanes actively worked out his ideas in this drawing, first in black chalk lines, which are faintly visible under the bolder pen-and-ink forms. In the earlier chalk rendition, he drew the figure of Christ farther to the left, carrying the cross with his right arm. The soldier to the right, leading him by the rope about his neck, was also father to the left, while two additional soldiers, faintly drawn in the top right, were not developed in pen. The Holy Women kneeling before him also changed when Juanes finished the drawing in pen after making the chalk underdrawing. He used the brown ink to model the forms in three dimensions with extensive, insistent hatching and cross-hatching. The artist's technique and the spatial clarity of the individual figures reflect the influence of Raphael, whose paintings he studied on a visit to Italy around 1560.
- Location
- J. Paul Getty Museum
Enthroned Virgin and Child, with Saint Jerome, the Archangel Michael, and Angels Holding Instruments of the Passion
by Juan de Juanes, circa 1550
- Medium
- Oil and tooled gold on panel
- Dimensions
- 48 3/4 x 35 1/4 in (123.8 x 89.5 cm)
- Credits
- John G. Johnson Collection, 1917
- Location
- Philadelphia Museum of Art
The Consecration of Saint Eligius
by Juan de Juanes, circa 1536
- Medium
- Tempera and oil on panel transferred to canvas
- Dimensions
- 58.6 x 37.8 in
- Credits
- University of Arizona Museum of Art, Tucson, Arizona, Gift of Samuel H. Kress Foundation, 1961.013.019
- Location
- University of Arizona Museum of Art
de Mena, Pedro
Mater Dolorosa
by Pedro de Mena, circa 1674–1685
- Medium
- Partial-gilt polychrome wood
- Dimensions
- Sculpture only: 24 13/16 × 23 1/8 × 15 in (63 × 58.7 × 38.1 cm); on black base: 26 × 24 3/4 × 16 1/2 in, 44.2 lb (66 × 62.9 × 41.9 cm, 20 kg)
- Credits
- Purchase, Lila Acheson Wallace Gift, Mary Trumbull Adams Fund, and gift of Dr. Mortimer D. Sackler, Theresa Sackler and Family, 2014.
- Location
- The Metropolitan Museum of Art (The Met)
San Diego de Alcalá
by Pedro de Mena, 1665–1670
- Medium
- Polychromed
- Dimensions
- 24 7/32 in x 9 7/16 in x 10 5/8 in (61.5 cm x 24 cm x 27 cm)
- Location
- San Diego Museum of Art
Study for a Statue of Queen Isabella
by Pedro de Mena, 1673–1673
- Medium
- Black chalk, pen and brown-gray ink, with yellow, gray and red wash
- Dimensions
- 34.4 × 23.3 cm (13 9/16 × 9 3/16 in)
- Notes
- Before an altar with a crown on a large cushion, Queen Isabella the Catholic kneels in silent prayer. She kneels atop an ornate bracket with an empty escutcheon and a large crown in the center, flanked by various emblems and trophies including pomegranates, flags, suits of armor, and two nude men. The study gives enough careful detail to allow a stone carver to accurately reproduce this proposed design for a polychrome marble statue of the Spanish queen. The calibrations, numbered one to six along the right side of the sheet, would have allowed another craftsman to judge the scale of the work. The careful shading down the right edge of the bracket and around the emblems that hang from it suggests that these areas should project further forward than the top portion of the design. The rectangular frame around the queen represents a shallow niche. Pedro de Mena y Medrano produced the design for a statue for the main chapel of the cathedral of Granada. A pendant statue portrays Isabella's husband, Ferdinand II of Aragon, who kneels opposite her. So popular were the two statues that they were copied for another cathedral, in Málaga.
- Location
- J. Paul Getty Museum
de Osona the Elder, Rodrigo
The Agony in the Garden
by Rodrigo de Osona the Elder, circa 1465
- Medium
- Oil and gold on panel
- Dimensions
- 16 3/4 x 18 3/4 in (42.5 x 47.6 cm)
- Credits
- John G. Johnson Collection, 1917
- Location
- Philadelphia Museum of Art
The Lamentation
by Rodrigo de Osona the Elder, circa 1465
- Medium
- Oil and gold on panel
- Dimensions
- 16 3/8 x 18 5/8 in (41.6 x 47.3 cm)
- Credits
- John G. Johnson Collection, 1917
- Location
- Philadelphia Museum of Art
de Zurbarán, Francisco
Agnus Dei (”Lamb of God”)
by Francisco de Zurbarán, circa 1635–1640
- Medium
- Oil
- Dimensions
- 14 in x 20 1/2 in (35.56 cm x 52.07 cm)
- Location
- San Diego Museum of Art
Christ and the Virgin in the House at Nazareth
by Francisco de Zurbarán, 1640
- Medium
- Oil on canvas
- Dimensions
- Framed: 201 x 256 x 10 cm (79 1/8 x 100 13/16 x 3 15/16 in.); Unframed: 165 x 218.2 cm (64 15/16 x 85 7/8 in.)
- Location
- Cleveland Museum of Art
Saint Francis in Prayer
by Francisco de Zurbarán, circa 1638–1639
- Medium
- Oil on canvas
- Dimensions
- 46-1/4 x 35-1/2 in (117.5 x 90.2 cm)
- Credits
- The Norton Simon Foundation
- Location
- Norton Simon Museum
Saint Francis in Prayer in a Grotto
by Francisco de Zurbarán, circa 1650–1655
- Medium
- Oil
- Dimensions
- 62 x 39 9/16 in (157.5 x 100.5 cm)
- Location
- San Diego Museum of Art
Saint Francis of Assisi in His Tomb
by Francisco de Zurbarán, 1630–1634
- Medium
- Oil on canvas
- Dimensions
- 80 5/8 × 44 5/8 in (204.79 × 113.35 cm)
- Credits
- Milwaukee Art Museum, Purchase M1958.70. Photo by John R. Glembin
- Notes
- This somber, haunting image of the ascetic Saint Francis typifies the work of one of Spain’s most important Golden Age painters. As is characteristic, Zurbarán depicted the saint alone, in a dark, featureless space, and lit his humble, homespun monk’s robe with dramatic, raking light that also catches on the upturned skull he holds as well as his left foot, which seems to stride into the viewer’s space. Saint Francis was of particular significance to Spain’s monastic communities, which were deeply impacted by the Counter-Reformation. This work was commissioned for Don Gaspar de Guzmán, Count-Duke of Olivares, who was a high-ranking nobleman, close advisor of King Philip IV, and ultimately Prime Minister of Spain (1621–1643).
- Location
- Milwaukee Art Museum
Saint Jerome
by Francisco de Zurbarán, circa 1640–1645
- Medium
- Oil
- Dimensions
- 73 in x 41 in (185.42 cm x 104.14 cm)
- Location
- San Diego Museum of Art
Still Life with Lemons, Oranges and a Rose
by Francisco de Zurbarán, 1633
- Medium
- Oil on canvas
- Dimensions
- 24-1/2 x 43-1/8 in (62.2 x 109.5 cm)
- Credits
- The Norton Simon Foundation
- Location
- Norton Simon Museum
The Annunciation
by Francisco de Zurbarán, 1650
- Medium
- Oil on canvas
- Dimensions
- 7 ft 1 5/8 in × 10 ft 4 1/2 in (217.5 × 316.2 cm). Framed: 7 ft 8 1/2 in × 10 ft 11 3/4 in × 4 in (235 × 334.6 × 10.2 cm)
- Credits
- Purchased with the W. P. Wilstach Fund, 1900
- Location
- Philadelphia Museum of Art
The Birth of the Virgin
by Francisco de Zurbarán, circa 1627
- Medium
- Oil on canvas
- Dimensions
- 55-1/2 x 42-3/4 in (141 x 108.6 cm)
- Credits
- The Norton Simon Foundation
- Location
- Norton Simon Museum
The Young Virgin
by Francisco de Zurbarán, circa 1632–1633
- Medium
- Oil on canvas
- Dimensions
- 46 x 37 in (116.8 x 94 cm)
- Credits
- Fletcher Fund, 1927.
- Location
- The Metropolitan Museum of Art (The Met)
Virgin and Child with Saint John
by Francisco de Zurbarán, 1658
- Medium
- Oil
- Dimensions
- 54 1/2 in x 42 in (138.43 cm x 106.68 cm)
- Location
- San Diego Museum of Art
El Greco
Laocoön
by El Greco, circa 1610–1614
- Medium
- Oil on canvas
- Dimensions
- 137.5 x 172.5 cm (54 1/8 x 67 15/16 in)
- Credits
- Samuel H. Kress Collection.
- Location
- National Gallery of Art
Saint Francis Kneeling in Meditation
by El Greco, circa 1605–1610
- Medium
- Oil on canvas
- Dimensions
- 29 7/8 x 25 in (75.9 x 63.5 cm)
- Credits
- Meadows Museum, SMU, Dallas. Museum purchase, Meadows Museum Acquisition. Fund with private donations and University funds, MM.99.01. Photography by Kevin Todora.
- Location
- Meadows Museum
Saint Francis Receiving the Stigmata
by El Greco, circa 1585–1590
- Medium
- Oil on canvas
- Dimensions
- 40 1/4 × 38 1/8 in (102.24 × 96.84 cm); Framed: 52 5/8 × 49 1/2 × (with build-up): 4 3/4 in (133.67 × 125.73 × 12.07 cm)
- Credits
- Acquired by Henry Walters with the Massarenti Collection, 1902
- Location
- Walters Art Museum
The Adoration of the Shepherds
by El Greco, circa 1576–1577
- Medium
- Oil
- Dimensions
- 9 1/2 in x 7 3/4 in (24.13 cm x 19.69 cm)
- Location
- San Diego Museum of Art
The Holy Family with Mary Magdalen
by El Greco, circa 1590–1595
- Medium
- Oil on canvas
- Dimensions
- Framed: 160 x 131 x 7.5 cm (63 x 51 9/16 x 2 15/16 in.); Unframed: 130 x 100 cm (51 3/16 x 39 3/8 in.)
- Location
- Cleveland Museum of Art
The Penitent Saint Peter
by El Greco, circa 1590–1595
- Medium
- Oil
- Dimensions
- 49 1/4 in x 42 3/8 in (125.1 cm x 107.63 cm)
- Location
- San Diego Museum of Art
The Vision of Saint John
by El Greco, circa 1608–1614
- Medium
- Oil on canvas
- Dimensions
- 87 1/2 x 76 in (222.3 x 193 cm); with added strips 88 1/2 x 78 1/2 in (224.8 x 199.4 cm, top truncated)
- Credits
- Rogers Fund, 1956.
- Location
- The Metropolitan Museum of Art (The Met)
El Greco and workshop
Crucifixion with the Virgin Mary and Saint John the Evangelist
by El Greco and workshop, circa 1600–1610
- Medium
- Oil on canvas
- Location
- John and Mable Ringling Museum of Art
Esteve y Marqués, Agustín
Portrait of Juan Maria Osorio
by Agustín Esteve y Marqués, 1786
- Medium
- Oil on canvas
- Dimensions
- Framed: 143.8 x 107.6 x 6.4 cm (56 5/8 x 42 3/8 x 2 1/2 in.); Unframed: 120 x 84 cm (47 1/4 x 33 1/16 in.)
- Location
- Cleveland Museum of Art
Fernando, Pedro
Saint John the Baptist
by Pedro Fernando, circa 1509–1510
- Medium
- Oil on panel
- Dimensions
- Painted surface: 62-1/4 x 21 in (158.1 x 53.3 cm); panel: 62-1/4 x 26-3/4 in (189.2 x 87.6 x 8.3 cm)
- Credits
- The Norton Simon Foundation
- Location
- Norton Simon Museum