Anonymous / Unknown
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Lusterware platter
by Anonymous / Unknown
- Medium
- Glazed earthenware
- Dimensions
- Height: 2 1/4 in (5.7 cm); diameter: 19 in (48.3 cm)
- Credits
- San Antonio Museum of Art, Gift of Mrs. Brooke F. Dudley and Mrs. Charles Best, 99.33. Image courtesy of the San Antonio Museum of Art; photo by Joel Salcido
- Location
- San Antonio Museum of Art
Trunk
by Anonymous / Unknown
- Medium
- Chip carved wood and iron
- Dimensions
- Height: 24 1/2 in (62.2 cm); width: 64 in (162.6 cm); depth: 19 in (48.3 cm)
- Credits
- San Antonio Museum of Art, Gift of Peter P. Cecere, 2006.1.98. Image courtesy of the San Antonio Museum of Art; photo by Alayna Barrett Fox
- Location
- San Antonio Museum of Art
Platter
by Anonymous / Unknown
- Medium
- Earthenware with tin glaze
- Dimensions
- Height: 3 1/8 in (7.9 cm); diameter: 15 in (38.1 cm)
- Credits
- San Antonio Museum of Art, Gift of the Estate of Ellen M. Slayden, 26.1328. Image courtesy of the San Antonio Museum of Art; photo by Joel Salcido
- Location
- San Antonio Museum of Art
Our Lady of Guadalupe
by Anonymous / Unknown
- Medium
- Polychromed wood
- Dimensions
- Height: 41 1/2 in (105.4 cm); width: 21 1/2 in (54.6 cm); depth: 6 1/2 in. (16.5 cm)
- Credits
- San Antonio Museum of Art, Gift of Roberta S. McCrary, 85.32.a-e. Image courtesy of the San Antonio Museum of Art; photo by Ansen Seale
- Location
- San Antonio Museum of Art
Our Lady of the Pillar
by Anonymous / Unknown
- Medium
- Oil on canvas
- Dimensions
- Unframed: 42 x 31 3/4 in (106.7 x 80.6 cm); framed: 51 x 41 1/2 in (129.5 x 105.4 cm)
- Credits
- San Antonio Museum of Art, Purchased with funds provided by the Ford Motor Company, 2000.19. Image courtesy of the San Antonio Museum of Art; photo by Ansen Seale
- Location
- San Antonio Museum of Art
Our Lady of Guadalupe
by Anonymous / Unknown
- Medium
- Oil on copper
- Dimensions
- Unframed: 14 x 11 in (35.6 x 27.9 cm); with frame: 23 1/2 × 20 1/2 × 3 1/2 in (59.7 × 52.1 × 8.9 cm)
- Credits
- San Antonio Museum of Art, Purchased with funds provided by Ford Motor Co., 2000.40. Image courtesy of the San Antonio Museum of Art; photo by Ansen Seale
- Location
- San Antonio Museum of Art
Bowl
by Anonymous / Unknown
- Medium
- Earthenware with tin glaze; copper, cobalt, and iron in-glaze decoration
- Dimensions
- Height: 5 1/2 in (14 cm); diameter: 9 1/2 in (24.1 cm)
- Credits
- San Antonio Museum of Art, Gift of Dr. Ric Bradford, Houston, Texas, 2012.34. Image courtesy of the San Antonio Museum of Art; photo by Peggy Tenison
- Location
- San Antonio Museum of Art
Pyxis
by Anonymous / Unknown, circa 950–975
- Medium
- Elephant ivory
- Dimensions
- Overall: 4 5/8 x 4 1/8 in (11.7 x 10.5 cm)
- Credits
- The Cloisters Collection, 1970.
- Location
- The Metropolitan Museum of Art (The Met)
Column or Columnar Support with Three Apostles: Matthew, Jude, and Simon
by Anonymous / Unknown, circa 1125–1150
- Medium
- Marble
- Dimensions
- 116.3 x 27.5 cm (45 13/16 x 10 13/16 in)
- Credits
- Harvard Art Museums/Fogg Museum, Gift of The Republic of Spain through the Museo Arqueologico Nacional and Professor Arthur Kingsley Porter
- Location
- Harvard Art Museums
Camel
by Anonymous / Unknown, circa 1129–1134
- Medium
- Fresco transferred to canvas
- Dimensions
- Overall: 97 x 53 1/2 in (246.4 x 135.9 cm)
- Credits
- The Cloisters Collection, 1961.
- Notes
First half 12th century (possibly 1129–34)
- Location
- The Metropolitan Museum of Art (The Met)
Abacus of Capital from the Abbey of Santa María de Lebanza
by Anonymous / Unknown, circa 1185
- Medium
- Limestone and mortar with red paint
- Dimensions
- 64 x 64 x 50.5 cm
- Credits
- Harvard Art Museums/Fogg Museum, Friends of the Fogg Art Museum Fund
- Location
- Harvard Art Museums
Vidal Mayor
by Anonymous / Unknown, circa 1290–1310
- Medium
- Tempera colors, gold leaf, and ink
- Dimensions
- Leaf: 36.5 × 24 cm (14 3/8 × 9 7/16 in)
- Notes
By unknown artist/maker, Vidal de Canellas (Spanish, active Aragon, Spain 1236-1252), and probably Michael Lupi de Çandiu (Spanish, active Pamplona, Spain 1297-1305).
In 1247, with the reconquest of Spain from the Muslim forces virtually complete, King James I of Aragon and Catalonia, Spain, decided to establish a new systematic code of law for his kingdom. He entrusted the task to Vidal de Canellas, bishop of Huesca. The Getty Museum's manuscript, the only known copy of the law code still in existence, is a translation of Vidal de Canellas's Latin text into the vernacular Navarro-Aragonese language (in that language, the book is called Vidal Mayor in reference to the author). The manuscript's scribe was Michael Lupi de Çandiu, who identifies himself in an inscription and who also may have translated the text.
Not only is the text an important historical document but it is luxuriously illuminated with hundreds of historiated and decorated initials. Although written and illuminated between 1290 and 1310 in one of the major urban centers in northeastern Spain, the elegant style of the painting reveals an intimate link with contemporary French illumination. This stylistic connection demonstrates the increased movement of both artists and manuscripts from one European court to another.
- Location
- J. Paul Getty Museum
Saint John the Baptist
by Anonymous / Unknown, circa 1740
- Medium
- Charcoal, heightened with opaque white watercolor
- Dimensions
- 43 × 26.9 cm (16 15/16 × 10 9/16 in)
- Credits
- Purchased with funds provided by the Disegno Group.
- Notes
After Juan Conchillos Falcó (Spanish, 1641-1711). On striking blue prepared paper, this academic figure study is posed as Saint John the Baptist. Seen from below, suggesting that the model stood on a raised platform, the saint looms large. The artist modeled his figure using the blue as a middle tone. Charcoal and white watercolor forcefully articulate the anatomical form of the saint, and convey his powerful presence. The saint's musculature is dramatically portrayed in gritty black lines built up in bold succession. The summary treatment of the drapery, executed in broad, jagged strokes, gives the saint's clothing an abstract quality that reiterates the drawing's primary purpose as a study of the male body. On close examination, the charcoal's rough texture reflects glints of light, creating a seamless marriage between medium, technique, and subject.
- Location
- J. Paul Getty Museum
Portrait of a Woman
by Anonymous / Unknown, circa 1800
- Medium
- Oil on canvas
- Dimensions
- 14 15/16 x 11 1/8 in (38 x 28.2 cm)
- Credits
- Acquired by Henry Walters with the Massarenti Collection, 1902
- Location
- Walters Art Museum
Oil Jar
by Anonymous / Unknown, circa 1900
- Medium
- Earthenware with glaze
- Dimensions
- Height: 13 in (33 cm); diameter: 9 in (22.9 cm)
- Credits
- San Antonio Museum of Art, Gift of Peter P. Cecere, 2006.1.55. Image courtesy of the San Antonio Museum of Art; photo by Peggy Tenison
- Location
- San Antonio Museum of Art
Oil Jar
by Anonymous / Unknown, circa 1900
- Medium
- Earthenware, slip, and metal
- Dimensions
- Height: 14 1/2 in (36.8 cm); width: 9 1/4 in (23.5 cm); depth: 9 1/2 in. (24.1 cm)
- Credits
- San Antonio Museum of Art, Gift of Peter P. Cecere, 2006.1.54. Image courtesy of the San Antonio Museum of Art; photo by Peggy Tenison
- Location
- San Antonio Museum of Art
Butcher's Shop Sign
by Anonymous / Unknown, circa 1910–1920
- Medium
- Iron with cloth-wrapped wire
- Dimensions
- Height: 34 in (86.4 cm); width: 121 in (307.3 cm); depth: 18 in (45.7 cm)
- Credits
- San Antonio Museum of Art, Gift of Peter P. Cecere, 2014.17. Image courtesy of the San Antonio Museum of Art; photo by Benjamin McVey
- Location
- San Antonio Museum of Art