Spanish Art in the US logo

17th century

Artworks 91 to 100 of 127:

Virgin and Child with Saint John

by Francisco de Zurbarán, 1658

Medium
Oil
Dimensions
54 1/2 in x 42 in (138.43 cm x 106.68 cm)
Location
San Diego Museum of Art

The Sacrifice of Isaac

by Antonio de Pereda y Salgado, circa 1659

Medium
Oil on canvas
Dimensions
Framed: 96 3/8 × 78 × 4 1/2 in.
Credits
Dallas Museum of Art, The Karl and Esther Hoblitzelle Collection, gift of the Hoblitzelle Foundation. Image courtesy Dallas Museum of Art
Notes

Attributed to: Antonio Pereda y Salgado

Location
Dallas Museum of Art

The Penitent Magdalene

by Bartolomé Esteban Murillo, circa 1660–1665

Medium
Oil
Dimensions
63 1/4 in x 41 1/2 in (160.66 cm x 105.41 cm)
Location
San Diego Museum of Art

Equestrian Portrait of Don Juan José of Austria

by José Ximénez Donoso, circa 1660–1680

Medium
Brown ink and brown wash over black chalk, heightened with white gouache, squared in black chalk (recto); black chalk (verso)
Dimensions
23.2 × 21.3 cm (9 1/8 × 8 3/8 in)
Notes

A highly successful and ruthless general, Don Juan José of Austria suppressed an anti-Spanish uprising in Naples when he was only eighteen years old. This scene shows his triumphal entry following the suppression of the revolt. A young fisherman had led a protest against a new tax on fruit imposed by the aristocracy; the protest later turned into an insurrection aiming at slaughtering the nobility. As the general leads his cavalry into the city, trampling a child underfoot, he receives the homage of the population in the person of the bearded man kneeling to the left, who offers a platter containing three utensils, perhaps representing the keys of the city.

José Ximénez Donoso copied the equestrian figure from a well-known etching by Jusepe de Ribera but added soldiers and spectators to the background. The artist drew the whole scene in black chalk but reinforced the forms of Don José and his horse, copied from the print, in pen and brown ink. The drawing is squared for transfer, implying that the composition was intended for a painting or perhaps a print.

Location
J. Paul Getty Museum

Design for a Processional Sculpture of The Vision of St. John on Patmos, with Five Variant Plans

by Francisco de Herrera el Mozo, circa 1660–1671

Medium
Pen and brown ink and wash, over black chalk, on laid paper
Dimensions
10 3/4 x 7 13/16 in.
Credits
The Morgan Library & Museum. Purchased as the gift of Walter C. Baker. Photography by Graham S. Haber.
Location
Morgan Library & Museum

The Vision of Saint Anthony of Padua

by Claudio Coello, 1663

Medium
Oil on canvas
Dimensions
Image: 67 × 50 1/2 in. Framed: 76 × 59 1/2 × 3 1/2 in.
Credits
Gift of Walter P. Chrysler, Jr.
Location
Chrysler Museum of Art

The Immaculate Conception

by Bartolomé Esteban Murillo, circa 1664

Medium
Pen and brown ink and wash, over black chalk, on laid paper
Dimensions
13 1/4 x 9 in.
Credits
The Morgan Library & Museum. Photography by Graham S. Haber.
Location
Morgan Library & Museum

Jacob Laying Peeled Rods before the Flocks of Laban

by Bartolomé Esteban Murillo, circa 1665

Medium
Oil on canvas
Dimensions
87 3/4 x 142 in (222.9 x 360.7 cm)
Credits
Meadows Museum, SMU, Dallas. Algur H. Meadows Collection, MM.67.27. Photography by Kevin Todora.
Location
Meadows Museum

Saint Thomas of Villanueva Giving Alms to the Poor

by Bartolomé Esteban Murillo, 1665–1670

Medium
Oil on canvas
Dimensions
52-1/8 x 30 in (132.4 x 76.2 cm)
Credits
The Norton Simon Foundation
Location
Norton Simon Museum

San Diego de Alcalá

by Pedro de Mena, 1665–1670

Medium
Polychromed
Dimensions
24 7/32 in x 9 7/16 in x 10 5/8 in (61.5 cm x 24 cm x 27 cm)
Location
San Diego Museum of Art